7.11.11
30.1.11
Choose The First One And Die
MARION from Ry Russo-Young on Vimeo.
"A contemporary de-construction of Alfred Hitchcock’s PSYCHO.
Three women play the role of Marion Crane on three separate screens. Each Marion makes a different crucial choice that effects her fate in the shower scene."
Ry Russo-Young
"A contemporary de-construction of Alfred Hitchcock’s PSYCHO.
Three women play the role of Marion Crane on three separate screens. Each Marion makes a different crucial choice that effects her fate in the shower scene."
Ry Russo-Young
6.12.09
15.11.09
11.11.09
Rewind
Ok. No post for a long time. Much more difficult that i thought to have a blog.
These last weeks were focused on try to find a job/work experience and guess what? It was exhausting.

Also my friend Eve turned 21 the day of Halloween. Freaky crazy night party.
27.9.09
16.9.09
Art Brut
indique « des ouvrages exécutés par des personnes indemnes de culture artistique, dans lesquels donc le mimétisme, contrairement à ce qui se passe chez les intellectuels, ait peu ou pas de part, de sorte que leurs auteurs y tirent tout (sujets, choix des matériaux mis en œuvre, moyens de transposition, rythmes, façons d’écriture, etc.) de leur propre fonds et non pas des poncifs de l’art classique ou de l’art à la mode. Nous y assistons à l’opération artistique toute pure, brute, réinventée dans l’entier de toutes ses phases par son auteur, à partir seulement de ses propres impulsions. De l’art donc où se manifeste la seule fonction de l’invention, et non, celles, constantes dans l’art culturel, du caméléon et du singe. » Jean_Dubuffet
indicates "works created from solitude and from pure and authentic creative impulses - where the worries of competition, acclaim and social promotion do not interfere - are, because of these very facts, more precious than the productions of professionals. After a certain familiarity with these flourishings of an exalted feverishness, lived so fully and so intensely by their authors, we cannot avoid the feeling that in relation to these works, cultural art in its entirety appears to be the game of a futile society, a fallacious parade." Jean_Dubuffet
"En effet, quoi de plus scandaleux pour un érudit que l’insolente créativité d’un ignorant ou la fabuleuse élaboration aristique d’un délirant ?" Bruno_Decharme
"In fact, what could be more shocking for an intellectual than the insolent creativity of an ignorant person or a fabulous artistic elaboration of a madman ?" Bruno_Decharme
I'm not really into the art brut creations itself but into this idea of art-"instinct" which it inspires...
If you want to known more about it, read Bruno Decharme's interview here. This guy is my homeboy.
indicates "works created from solitude and from pure and authentic creative impulses - where the worries of competition, acclaim and social promotion do not interfere - are, because of these very facts, more precious than the productions of professionals. After a certain familiarity with these flourishings of an exalted feverishness, lived so fully and so intensely by their authors, we cannot avoid the feeling that in relation to these works, cultural art in its entirety appears to be the game of a futile society, a fallacious parade." Jean_Dubuffet
"En effet, quoi de plus scandaleux pour un érudit que l’insolente créativité d’un ignorant ou la fabuleuse élaboration aristique d’un délirant ?" Bruno_Decharme
"In fact, what could be more shocking for an intellectual than the insolent creativity of an ignorant person or a fabulous artistic elaboration of a madman ?" Bruno_Decharme
I'm not really into the art brut creations itself but into this idea of art-"instinct" which it inspires...
If you want to known more about it, read Bruno Decharme's interview here. This guy is my homeboy.
13.9.09
24.8.09
23.8.09
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